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Repositorio

(Para consultar los resultados específicos de nuestros proyectos de investigación, ir a LYG y LYG2)

2021:

Simal González, Begoña (Seminario). "Wasted Communities, Communities of Waste." EAAS 2021 Conference "20/20 Vision," 30 Apr.-2 May 2021, Warsaw/Online.

Simal González, Begoña (Moderadora de Panel). Panel 17: "Good Fear, Bad Fear: Apocalyptic Plagues, Cautionary Tales, and Risk Criticism." 15th SAAS conference, "Fear Narratives" and their Role/Use in the United States, 24-6 Mar. 2021, Deusto/Online.

2020:

Simal González, Begoña. Ecocriticism and Asian American Literature: Gold Mountains, Weedflowers and Murky Globes. Palgrave Macmillan. ISBN: 978-3-030-35618-7

2019:

Simal González, Begoña: "'Pets and Pests': Theriomorphic Sinophobia and the Quandary of Racist Animalization." 14th SAAS conference, "The Image and the World: Interactions between American Literature, Media, Visual Arts and Film", 9-11 Apr. 2019, Salamanca.

Simal González, Begoña: "Playing With (Un)Marked Cards: Intersectionality in Toni Morrison's Recitatif." "Borders, Intersections and Identity in the Contemporary Short Story" Conference, 23-4 May 2019, Santiago de Compostela.

Simal González, Begoña. "'The Waste of the Empire': Neocolonialism and Environmental Justice in Merlinda Bobis’s The Long Siesta as a Language Primer." Journal of Postcolonial Writing, vol. 55, pp. 1-14. ISSN: 1744-9855

Villamarín-Freire, Sara. “Transnational Latino/a Literature and the Transmodern Meta-narrative. An Alternative Reading of Junot Díaz’s The Brief Wondrous Life of Oscar Wao." Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm, edited by Susana Onega and Jean-Michel Ganteau, Routledge, 2020, pp. 49-67.

2018:

Simal González, Begoña. "Disrupting Globalization: Transnationalism and American Literature." Journal of Transnational American Studies (JTAS), vol. 9, pp. 277-91. ISSN: 1940-0764

2017:

Barreiro Neira, Tamara. "Humour and Protest in Chicano Cinema: Quinceañera." Questions of Cultural Value: The London Film & Media Reader 5, edited by Phillip Drummond, The London Symposium, 2018, pp. 254-64.

López Arias, Francisco J. "The Spanish Civil War in Spanish Alternate History: Jesús Torbado's En el día de hoy." Science Fiction Studies 44.2 (2017): 258-270. Print.

2016:

López Arias, Francisco J. "11.22.63." Rev. of 11.22.63. Created by Bridget Carpenter. SFRA Review 318 (Fall 2016):33-34. Print.

López Arias, Francisco J. "Possible Worlds." Rev. of Alternate History: Playing with Contingency and Necessity, by Kathleen Singles. Science Fiction Studies 43.1 (2016): 171-172. Print.

López Arias, Francisco J. "The Man in the High Castle: Season 1." Rev. of The Man in the High Castle. Created by Frank Spotnitz. SFRA Review 315 (Winter 2016): 34-36. Print.

Rego Freire, Avelino. "A ninfa e a morte: a tradición folclórica xermano-escandinava en Ondina de Benjamin Lacombe." Elos: Revista de Literatura Infantil e Xuvenil [online]. 4 Sep. 2017, vol. 0, no. 4. ISSN 2386-7620. Accessed 13 Sep. 2017.

2015:

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2014:

s s. s s

2013:

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Repositorio

(Para consultar los resultados específicos de nuestros proyectos de investigación, ir a LYG y LYG2)

2021:

Simal González, Begoña (Seminario). "Wasted Communities, Communities of Waste." EAAS 2021 Conference "20/20 Vision," 30 Apr.-2 May 2021, Warsaw/Online.

Simal González, Begoña (Moderadora de Panel). Panel 17: "Good Fear, Bad Fear: Apocalyptic Plagues, Cautionary Tales, and Risk Criticism." 15th SAAS conference, "Fear Narratives" and their Role/Use in the United States, 24-6 Mar. 2021, Deusto/Online.

2020:

Simal González, Begoña. Ecocriticism and Asian American Literature: Gold Mountains, Weedflowers and Murky Globes. Palgrave Macmillan. ISBN: 978-3-030-35618-7

2019:

Simal González, Begoña: "'Pets and Pests': Theriomorphic Sinophobia and the Quandary of Racist Animalization." 14th SAAS conference, "The Image and the World: Interactions between American Literature, Media, Visual Arts and Film", 9-11 Apr. 2019, Salamanca.

Simal González, Begoña: "Playing With (Un)Marked Cards: Intersectionality in Toni Morrison's Recitatif." "Borders, Intersections and Identity in the Contemporary Short Story" Conference, 23-4 May 2019, Santiago de Compostela.

Simal González, Begoña. "'The Waste of the Empire': Neocolonialism and Environmental Justice in Merlinda Bobis’s The Long Siesta as a Language Primer." Journal of Postcolonial Writing, vol. 55, pp. 1-14. ISSN: 1744-9855

Villamarín-Freire, Sara. “Transnational Latino/a Literature and the Transmodern Meta-narrative. An Alternative Reading of Junot Díaz’s The Brief Wondrous Life of Oscar Wao." Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm, edited by Susana Onega and Jean-Michel Ganteau, Routledge, 2020, pp. 49-67.

2018:

Simal González, Begoña. "Disrupting Globalization: Transnationalism and American Literature." Journal of Transnational American Studies (JTAS), vol. 9, pp. 277-91. ISSN: 1940-0764

2017:

Barreiro Neira, Tamara. "Humour and Protest in Chicano Cinema: Quinceañera." Questions of Cultural Value: The London Film & Media Reader 5, edited by Phillip Drummond, The London Symposium, 2018, pp. 254-64.

López Arias, Francisco J. "The Spanish Civil War in Spanish Alternate History: Jesús Torbado's En el día de hoy." Science Fiction Studies 44.2 (2017): 258-270. Print.

2016:

López Arias, Francisco J. "11.22.63." Rev. of 11.22.63. Created by Bridget Carpenter. SFRA Review 318 (Fall 2016):33-34. Print.

López Arias, Francisco J. "Possible Worlds." Rev. of Alternate History: Playing with Contingency and Necessity, by Kathleen Singles. Science Fiction Studies 43.1 (2016): 171-172. Print.

López Arias, Francisco J. "The Man in the High Castle: Season 1." Rev. of The Man in the High Castle. Created by Frank Spotnitz. SFRA Review 315 (Winter 2016): 34-36. Print.

Rego Freire, Avelino. "A ninfa e a morte: a tradición folclórica xermano-escandinava en Ondina de Benjamin Lacombe." Elos: Revista de Literatura Infantil e Xuvenil [online]. 4 Sep. 2017, vol. 0, no. 4. ISSN 2386-7620. Accessed 13 Sep. 2017.

2015:

s s. s s

2014:

s s. s s

2013:

s s. s s

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