Lied ohne Worte
for cello soloistHomage to the Semantist Angelika Kratzer for her FestSchrift
- Violoncello: Clara Groba
- Premiered on: 1 September 2018
- Venue: High Conservatory of Music of A Coruña
Homage to the Semantist Angelika Kratzer for her FestSchrift
This composition maps into the voice of a cello the moving lament of King Lear expressed though the words of Shakespeare’s King Lear, act 5, scene 3:
Electroacoustic composition for violin soloist, live electronics, and voice.
VP is a homage to our ancestors and the languages they used as tools to create and expand over large locations powerful civilisations.
“The submerged forest” tells the story of people living in the mangrove and flooded forests of the south coast of Irian Jaya by the Arafura Sea. It describes their use of art in collective spiritual rites. In particular, in animist ceremonies used to accompanying the soul of the dead in its transit to the world of the ancestors.
“Kovkas” (‘Caucasus’) is a sonic poem that tells the story of the Armenian people, starting with their ancestors — traced to have inhabited today’s Armenia from Lower Palaeolithic onwards, as supported by findings of obsidian lithic tools dated ca. 1 million years-old — until their present descendants, who faced persecution and genocide armed with the force of their hope for survival.
This work aims at transcribing in the acoustic domain the basic point and line shapes and some complex ones built from those simple shapes, as defined by Kandinsky in his Bauhaus writings. Kandinsky defines a point as a minimal visual unit. Its shape can be minimal and irregular or perfectly round. He defines a line as the footprint of a moving point. Therefore, a line results from the dynamic composition of a point moving towards a goal. A curve is built by means of the simultaneous action of two forces acting upon a point.