0900 - 0945 Registration
0945 - 1000 Welcome
Session 1: MUSIC TRANSCRIPTION
1000 - 1030 Macaque. A tool for spectral processing and transcription
Hajdu (HfMT)
1030 - 1100 A machine learning framework for the categorization of elements in images of musical documents
Calvo Zaragoza (UA), Vigliensoni (McGill), Fujinaga (McGill)
1100 - 1130 A web interface for the analysis and performance of aleatory music notation
Barate (LIM) Ludovico (LIM)
1130 - 1145 BREAK
Session 2: GRAPHIC NOTATION
1145 - 1215 The 3-D Score
Kim-Boyle (SidneyUn)
1215 - 1245 An architectural Approach to 3D spatial Drum Notation
Ham (RMIT)
1245 - 1315 A CAP for graphic scores. Graphic notation and performance
Sluchin (EIC, IRCAM), Malt (IRCAM)
1315 - 1415 LUNCH
1430 - 1500 How can music visualisation techniques reveal different perspectives on musical structure?
Hunt, Mitchell, Nash (UWE)
1500 - 1530 Melody retrieval and composer attribution using sequence alignment on RISM incipits
van Nuss, Ciezeman, Wiering (UUtrecht)
1530 - 1600 Formalizing Quality Rules on Music Notation -- an Ontology-based Approach
Cherfi, Hamdi, Rigaux (CNAM), Thion (IRISA), Travers (CNAM)
1600 - 1615 BREAK

Thursday 25 May 2017



MUNCYT

Session 3: VOICE
1700 - 1730 Smartvox. A web-based distributed media player as notation tool for choral practices
Bell, Matuszewski (STMS IRCAMCNRS- UPMC)
1730 - 1815 Guided visiting tour of MUNCYT
1830 CONCERT 1
1830 - 1900 Notated control as composed liveness in works for digitally extended voice
Warren (UVir)
1900 - 1915 Voice prints
Palma (UDC)
1915 - 1930 Performer Action Modeling in Terraformation
Shafer (UNT)
1930 - 2000 “Des pas sur l’invisible”. The octave space and the self-multiplication process
Teles (UAv)
2000 - 2015 Homenaje a Cervantes
Hoadley (ARU)
2015 - 2030 INVITED COMPOSER: Tomas Marco
Persiles avista Roma
Session 4: INTERACTION
0930 - 1000 Notating electroacoustic music for performers from a practitioner's perspective
Hron (Wesleyan)
1000 - 1030 Performer Action Modeling in Real-Time Notation
Shafer (UNT)
1030 - 1100 Expression marks for programming interactive music
Martinez Nieto (GTECH), Freeman (GTECH)
1100 - 1115 BREAK
Session 5: MUSIC
1115 - 1145 Timed Sequences: A Framework for Computer-aided Composition with Temporal Structures
Garcia (ENAC), Bouche (IRCAM STMS), Bresson (IRCAM STMS)
1145 - 1215 The House Harmonic Filler: Interactive Exploration of Chord Sequences by Means of an Intuitive Representation
Faraldo (UPF), Herrera (UPF), Jorda (UPF)
1215 - 1245 Generating Equivalent Rhythmic Notations based on Rhythm Tree Languages
Jacquemard (INRIA, STMS, IRCAM), Ycart (QMUL), Sakai (UNagoya)
1245 - 1300 BREAK
1300 - 1345 KEYNOTE: Luca Andrea Ludovico (LIM)
Digitization of Historical Music Archives: Preserving the Past, Embracing the Future
1345 - 1445 LUNCH
1500 - 1530 Are Scores Maps? A Cartographic Response to Goodman
Miller (Dartmuth)
1530 - 1545 TENOR 2018
1545 - 1600 BREAK
Session 6: COLLABORATION
1600 - 1630 Vexations of Ephemerality. Extreme Sight-Reading in Situative Scores - for Makers, Performers, Audiences
Bhagwati (ConcordiaUM)
16:30-17:00 A Hierarchic Diff Algorithm for Collaborative Music Document Editing
Trevino (CSUMB), Weaver (UIUC), Antila (nCoda)
17:00-17:30 Establishing connectivity between the existing networked music notation packages Quintet.net, Decibel ScorePlayer and MaxScore
James, Hope, Vickery, Wyatt (WAPA) Carey, Fu, Hajdu (HfMT)

Friday 26 May 2017



MUNCYT

CONCERT 2
1800 - 1815 Framework: Silence / Loop
Nielsen (Denmark)
1815 - 1830 Plurality Springs
Torowski (ICCaT)
1830 - 1845 Collaborative work of participants in the workshop
Toralitarian Scoring Workshop